The girl hesitated an instant; she was conscious that she must choose between two risks. She had had a secret and the secret was gone. Owen had one, which was still unbruised, and the greater risk now was that his mother should lay her formidable hand upon it. All Fleda's tenderness for him moved her to protect it; so she faced the smaller peril. "Their delay," she brought herself to reply, "may perhaps be Mona's doing. I mean because he has lost her the things." Fleda looked very blank. "What on earth am I to see him for?"!

"That's another matter: they'd bear it if I could. There won't have been, this time either, a shake or a scratch. But I'm too tired—I very nearly don't care." "Painful?" Mrs. Gereth stared. "What pain can I ever feel again?"

"We're together, we're together," Mrs. Gereth lifelessly repeated. "That's all we are now; it's all we have." The words brought to Fleda a sudden vision of the empty little house at Ricks; such a vision might also have been what her companion found in the face of the stopped Dutch clock. Yet with this it was clear that she would now show no bitterness: she had done with that, had given the last drop to those horrible hours in London. No passion even was left to her, and her forbearance only added to the force with which she represented the final vanity of everything. All this was exciting, but Fleda's spirit dropped, at bedtime, in the chamber embellished for her pleasure, where she found several of the objects that in her earlier room she had most admired. These had been reinforced by other pieces from other rooms, so that the quiet air of it was a harmony without a break, the finished picture of a maiden's bower. It was the sweetest Louis Seize, all assorted and combined—old chastened, figured, faded France. Fleda was impressed anew with her friend's genius for composition. She could say to herself that no girl in England, that night, went to rest with so picked a guard; but there was no joy for her in her privilege, no sleep even for the tired hours that made the place, in the embers of the fire and the winter dawn, look gray, somehow, and loveless. She couldn't care for such things when they came to her in such ways; there was a wrong about them all that turned them to ugliness. In the watches of the night she saw Poynton dishonored; she had cared for it as a happy whole, she reasoned, and the parts of it now around her seemed to suffer like chopped limbs. Before going to bed she had walked about with Mrs. Gereth and seen at whose expense the whole house had been furnished. At poor Owen's, from top to bottom—there wasn't a chair he hadn't sat upon. The maiden aunt had been exterminated—no trace of her to tell her tale. Fleda tried to think of some of the things at Poynton still unappropriated, but her memory was a blank about them, and in trying to focus the old combinations she saw again nothing but gaps and scars, a vacancy that gathered at moments into something worse. This concrete image was her greatest trouble, for it was Owen Gereth's face, his sad, strange eyes, fixed upon her now as they had never been. They stared at her out of the darkness, and their expression was more than she could bear: it seemed to say that he was in pain and that it was somehow her fault. He had looked to her to help him, and this was what her help had been. He had done her the honor to ask her to exert herself in his interest, confiding to her a task of difficulty, but of the highest delicacy. Hadn't that been exactly the sort of service she longed to render him? Well, her way of rendering it had been simply to betray him and hand him over to his enemy. Shame, pity, resentment oppressed her in turn; in the last of these feelings the others were quickly submerged. Mrs. Gereth had imprisoned her in that torment of taste; but it was clear to her for an hour at least that she might hate Mrs. Gereth. "It displeased her fearfully," said Owen, looking very queer.